With the rise of science, we moderns believe, the world changed irrevocably, separating us forever from our primitive, premodern ancestors. But if we were to let go of this fond conviction, Bruno Latour asks, what would the world look like? His book, an anthropology of science, shows us how much of modernity is actually a matter of faith. What does it mean to be modern? What d...(展开全部)

With the rise of science, we moderns believe, the world changed irrevocably, separating us forever from our primitive, premodern ancestors. But if we were to let go of this fond conviction, Bruno Latour asks, what would the world look like? His book, an anthropology of science, shows us how much of modernity is actually a matter of faith. What does it mean to be modern? What d...(展开全部)

Taking apart the ideology of the "middle class" Tidings of a shrinking middle class in one part of the world and its expansion in another absorb our attention, but seldom do we question the category itself. We Have Never Been Middle Class proposes that the middle class is an ideology. Tracing this ideology up to the age of financialization, it exposes the fallacy in the belief ...(展开全部)

Society has never been more egalitarian—in theory. Prejudice is taboo, and diversity is strongly valued. At the same time, social and economic inequality have exploded. In We Have Never Been Woke, Musa al-Gharbi argues that these trends are closely related, each tied to the rise of a new elite—the symbolic capitalists. In education, media, nonprofits, and beyond, members of thi...(展开全部)

Four friends creep through the woods, and what do they spot? An exquisite bird high in a tree! "Hello birdie," waves one. "Shh! We have a plan," hush the others. They stealthily make their advance, nets in the air. Ready one, ready two, ready three, and go! But as one comically foiled plan follows another, it soon becomes clear that their quiet, observant companion, hand outstr...(展开全部)

The winner of the 2014 Association of Illustrators' Award for Children's Books, Shh! is the covetable new picture book from Chris Haughton, one of the most exciting new voices in children's literature. From Chris Haughton, the multi award-winning author-illustrator of A Bit Lost and Oh No, George!, comes a picture book about a beautiful bird, four friends and plans gone wrong.....(展开全部)

《裸颜》是鲁益师晚年的作品。虔诚的鲁益师晚年的时候遭遇巨变，痛失至爱，着实动摇了他对上帝的信心。《裸颜》就在这个时候完成。他以古希腊神话“邱比特与赛姬”的再现与新詮，巧妙地為读者深刻剖析基督从死裡复活的意义；精采生动，令人爱不释卷。

Taking readers deep into a labyrinth of dark neurosis, "We Have Always Lived in the Castle" is a deliciously unsettling novel about a perverse, isolated, and possibly murderous family and the struggle that ensues when a cousin arrives at their estate.

在线阅读本书 This tale of two princesses - one beautiful and one unattractive - and of the struggle between sacred and profane love is LewisÂs reworking of the myth of Cupid and Psyche and one of his most enduring works.

《裸顏》是根據「邱比特與賽姬」的希臘神話改編。 《裸顏》是魯益師晚年的作品。虔誠的魯益師晚年的時候遭遇巨變，痛失至愛，著實動搖了他對上帝的信心。《裸顏》就在這個時候完成。故事主角奧璐兒起初控訴神奪走她的最愛，最後方明白：「要神跟我們面對面相見之前，我們先要擁有『臉面』。」 Face 跟 Faith 諧音，要有臉面，即是要有信心。